MAGNUM, P.I.
This episode, "Death and Taxes," is one of The Journal's favorites from this series. In the mid to late-80's, no show was more groundbreaking than NBC's Miami Vice. From the cinematic look, to the soundtrack, to the glitzy-yet-gritty plotlines, Miami Vice set the standard which was widely imitated. NBC's Hill Street Blues was also a groundbreaking 80's series for other reasons.
This is an excellent episode. The plot concerns Magnum facing a tax audit as the 4th of July (and his annual tradition for that day) draws near. Higgins, TC, and Rick all leave town, leaving Magnum to face the audit, with the help of Maggie. This all gets sidetracked when Magnum starts receiving phone calls from a bizarre, riddle-reciting maniac. "The Ripper" (as the killer is named by a reporter who only gets in the way) has an obsession for killing prostitutes, and his riddles always point to where the murders will take place. He also seems to have some disturbing knowledge of Magnum's past.
Magnum, P.I. could always work a lighter moment into an episode, but none will be found here. The plotline is fairly dark and the acting is superb. The similarity to Miami Vice is seen in the opening shots of hookers on the streets all set against a neon backdrop. However, the biggest influence is the soundtrack. Twice in this episode the song "MAMA" by Genesis plays. First, when Magnum and the police attempt to stop the killer's second murder after deciphering his clues, and later, much more notably, when Magnum discovers the killer's room and searches his various photo and newspaper clippings. The song fits perfectly with the theme of the episode and is definitely mood-setting.
If you are a fan of Magnum, P.I., you need to watch this episode. The plot is very serious, highly involving, intelligent and noteworthy for all of the show's supporting characters have been dismissed. This was a wise decision by the writer, Bruce Cervi.
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